A Few Words About me
For the 75th
Anniversary of the Gershwin's PORGY AND BESS, contralto Gwendolyn
Brown performed her highly acclaimed signature role Maria in the
Francesca Zambello production for Washington National Opera, Grand
Rapids Opera (Michigan) and with PAB Productions (Michael Capasso,
Producer). Her recent performances with the Seattle Opera and Boston
Symphony at Tanglewood in 2011 have received much critical acclaim.
Gwendolyn Brown "was a Maria with an ample voice to match her vivid
personality" (Tim Smith, Opera News). As Maria, "Gwendolyn Brown was
gutsiness personified" (Steven Brown, Charlotte Observer). In the
2010 season Ms. Brown performed the role with BB Productions (New
York Harlem) in Germany (July-August 2010) and with the New Orleans
Opera in October 2010. Ms. Brown has also performed the role in
Amsterdam and Brussels. Gwendolyn Brown "brings a large helping of
sass to the role of Maria" says the Tulsa World of her premier of
the role with Tulsa Opera in 2007. Gwendolyn Brown was a "fabulously
vivacious Maria," says LA Times of her recent performance at the
Hollywood Bowl.
In the 2012 season, engagements for Ms. Brown include the Lyric
Opera of Chicago for the production of Show Boat, and The Industry
(Los Angeles, CA) performing as the lead character of Marie LaVeau
in “Crescent City,” an opera written by Anne LaBaron.
Ms. Brown has also received critical acclaim for her work in opera,
concert and symphonic works. To hear Gwendolyn Brown "is to
experience that primal thrill which comes in the presence of a
singer whose fusion of soul with a vast, resonant instrument is
total" (Saugerties Post Star). "Her dusky voice inhabited the music
so completely, we were spellbound" (The Oregonian). Her "stirring,
solo voice can rise above the crowd and harness audience attention”
(Andrew Beck, Hartford Arts Examiner). As one critic states, her
singing is simply "Stunning" (Andrew Patner, Chicago Sun Times).
Other performed work in her operatic repertoire includes the roles
of Baba THE MEDIUM, The Mother AMAHL AND THE NIGHT VISITORS, Fricka
DAS RHEINGOLD, Kabanicha KATYA KABANOVA and Filippyevna EUGENE
ONEGIN.
Originally from Memphis, Tennessee, Gwendolyn Brown obtained her
Bachelor of Arts in Music at Fisk University, Nashville, TN, and
pursued the Master’s degree in Vocal Performance at the University
of Memphis. Her young artist development included the Des Moines
Metro Opera Young Artist Program and The Ryan Center for American
Artists of Lyric Opera of Chicago. Ms. Brown currently resides in
Chicago, Illinois, and has performed for many of the top opera
companies and symphonies in the United States and overseas in
Germany, Italy, Spain, Amsterdam and Brussels.
Ms. Brown's awards include Regional Winner with the Metropolitan
Opera Council in Memphis; Finalist with the Metropolitan Opera
Council for the Central Region in Chicago; finalist for the
Altamura/Caruso International Voice Competition Study Grants,
semi-finalist for the New York Oratorio Society Solo Auditions and
the National Opera Association.
Reviews
- "As Maria, the town busybody, meanwhile, Gwendolyn Brown steals the show – a no-nonsense mama whose flips from rich alto to deep Southern back talk have both stage and audience in thrall."Rosemary Ponnekanti,
The News Tribune
- "Gwendolyn Brown (clearly an audience favorite) was the
spirited Maria."George Dansker
Opera News - "Gwendolyn Brown was a Maria with an ample voice to
match her vivid personality."Tim Smith
Opera News - "Sunday also marked a wonderful breakthrough for
Chicago contralto Gwendolyn Brown, an alumna of Lyric Opera of
Chicago's training program and a regular at Lyric as a cover and
in small roles. Her interpretations of Negro spirituals, with
ever-dependable pianist Elizabeth Buccheri, were deeply moving,
even stirring. She also absolutely captured the harmonic,
narrative and dramatic qualities of this music that spoke so
directly to Dvorak. Stunning."Andrew Patner,
Chicago Sun Times - "Speaking of voices that will haunt you through
Metropolitan Opera performances anywhere featuring a
mezzo-contralto for years to come, to hear Gwendolyn Brown is to
experience that primal thrill which comes in the presence of a
singer whose fusion of soul with a vast, resonant instrument is
total.Kitty Montgomery,
Saugerties Post Star
"Contralto Gwendolyn Brown as Maria sang with one of the richest voices I have ever heard, in some instances singing comfortably in what would be considered the tenor range. She brought the forceful, maternal element to the cast, keeping everyone in line and being the voice of reason. The audience was brought to laughter several times by her 'frank' dialogue, as it related to her dislike for both Sportin’-Life and Bess."
- Patrick McCoy,
Kennedy Center Examiner
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